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Limbs - Spunk

by Michael Chadwick

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1.
I've tortured every muscle, everyday to get this far. To build my engine beyond contention. And now I pretend to eat sandwiches, Jalapenos, ham and radishes. Dreamin' up perfect medleys of salty, soft, crunchy and sweet. I've trained on highest mountains, gasping down the thinnest air. At the beck and call of a medicine ball. And now I pretend to eat sandwiches, crunchin' on frosty lettuces, cos pasties are for savages, don't fill up that hole with horse-meat! But I remember, I remember the crowds. The exhilaration of winning and feeling a new life beginning. And I remember, I remember. Saying "hard cheese" To the loser slumped on his knees as I performed my victory lap of honor, of courage and pride, as tears of a nation welled up in my eyes. The acclaim that it brought me was all well and good. But being a hero won't buy me a sub. So I stood by a green-screen and modeled the bread, and I winked at the camera, caressed the salad. And in the interest of health, yeah I kept on my kit. To convince you all, that athletes eat this shiiiiiiiiiiiiiiiiiiiiiiit! And Now I pretend to eat sandwiches Now I pretend to eat sandwiches Now I pretend to eat sandwiches Now I pretend to eat sandwiches A nation that is proud of me will surely, will surely, will surely, surely, surely swallow this.
2.
Spunk 02:18
From the slime to the sublime, and on the X axis mark time. See how the line of best fit points to certain death? The Sun will supernova, and kill you ten times over Who else is gonna find you a way to escape? Don't drag your Knuckles Don't drag us down You've got the spunk to evolve. Don't divide the pride with nature ally You've go the spunk to, you've got the spunk to evolve. So court the birds cos we'll need wings. Caress the fish and farm their fins. See how the claw of a crab intimidates its prey? There no designer label So grab this scalpel handle, this fiber optic cable is burrowing into my skin. Don't drag your Knuckles Don't drag us down You've got the spunk to evolve. Eyes on the prize, nature I lied You've go the spunk to, you've got the spunk to evolve.
3.
A haircut doesn't choose how it wants to be remembered. Take the toothbrush mustache. Notorious now obsolete but once a shining icon him and Charlie ruled the silver screen. But in your final breath, as your Neurons hold their fire. And your tongue bows to retire. The things you say forever said, and into it meanings often read, so make them good, I like these: "Let not poor Nelly starve" exclaimed a dieing King Charles. Faced with white light, Of the conscience of this King in life I don't know. But I like him for the romance in his death throws. Isadora Duncan said to move was to be free. She danced outside society. And lived a life unique enough to top off with an epitaph as glorious as this. She said: "Adieu mes amis, and off I go to glory" Then she waved goodbye, her scarf trapped round the spokes and tyres. And the bloody mess she left behind was tragic, but the foresight in her last words fantastic. As bullets swept, and crept up the crease, John Sedgwick stands. Unflinching, unmoved, these bullets a breeze. Cowards you dodge. "They couldn't hit and elephant at this distance!" Let not poor Nelly Starve Adieu mes amis "and off I go to glory" And me well i'd say, "Ignition sequence start away!"
4.
The Gap 03:00
Mind the gap love. Where are you heading today? I see you saw the posters for Earnest at the Festival Hall. To think I always tried your patience in the theatre, whispering how the effects were done. Oh to board the train again with you. And rush from underground back into view. But you're clinging on, and when the doors hiss undone I come back. Mind the gap. The train is long gone The platform it yawns. But you never get on You just sit quietly. Waiting for the next to bring me. In seven minutes i'l be here In eight disappear. The steam the hiss the gear Lost in familiar thoughts. I see them in your head and I can watch them with you and with just three words stitch a thread across the gap, breath down the railway track, put a hand upon your hat. Oh to board the train again with you. And rush from underground back into view. I'm here and i'm gone, when the doors hiss undone I come back. Mind the gap. Please mind the gap.
5.
When you're young your mind is a sponge to be filled up with knowledge before old age demolishes every brain cell and my Dad knew this well as he sat me down on his knee at the ripe old age of three. He said "son, the reason that i've brought you up here, it has nothing to do with cheap booze, drugs women or beer, but to pass on a mystery from father to son, that has given joy to me. So listen carefully"...he said: "Poking animals with sticks in the zoo is a very pleasant pastime to pursue. Prodding a deer in its ear whilst it's sleeping is a pleasure you can't measure, though the encounters fleeting. Don't feel bad, they get fed, they get bored. So go at an otter with a sharpened stick sword! How the sun smiles down on you, when you're poking animals with sticks in the zoo" Poking animals Poking animals Poking animals with sticks in the zoo. (haha)

about

Limbs are:
Michael Chadwick, Mark Jones, Martin Roscoe.

Recorded and mixed by Michael Chadwick

credits

released December 2, 2013

Thanks to Mr. Stephen "but if you hit a piece of wood..." Davis for helping record the drums and bass down at his UCLAN gaff. Smashing help, A totally pomo man in the urban jungle.

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about

Michael Chadwick UK

Songwriter and performer. Making music with Limbs and composing for anything else that looks fun.. Always looking to write for new interesting projects, have a look round and email: mchadwickmusic@gmail.com

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